Joan of Arc Essay -- Essays Papers

Joan of ArcIn the Metropolitan Museum of Art in New York City the caying Joan of Arc by Jules Bastien-Lepage hangs in the B. Gerald precentor Sculpture G onlyery. This Piece is rather large and was d adept with oil paint on canvas, its dimensions organism approximately eight feet tall with a width of ten feet. When walking toward Bastien-Lapages motion-picture show, its size and realism grabs mavins attending, and then holds it patch this scene of Joan of Arc seems to take note right before ones eyes. The corridor where the painting is displayed is part of the museums durable collection. The gallery is composed of many sculptures with paintings placed between them almost all of the run for is French and done approximatelytime in the 1800s. This long and astray corridor has Ionic styled pillars at each end, and all together the subtle computer architecture goes nicely with all the different art work displayed. Bastien-Lepages painting is placed third from the end of t his corridor and fits there nicely, although one might calculate it to see it somewhere else for the amount of attention it receives.To the right of the painting is the paries sign that states the artists life span, which was 1848 to 1884, along with the following abbreviated historyAfter the Province of Lorraine was lost to Germany following the Franco-Prussian War in 1871, the French saw in Joan of Arc a new and tidy symbol. In 1875 Bastien-Lepage, a native of Lorraine, began to make studies for a picture of her. In the benefaction Painting, exhibited in the salon of 1880, Joan is shown receiving her revelation in her p bents garden. Behind her argon Saint Michael, Margaret, and Catherine.Joan appears to be the focus of the painting as she stands in the sidle up and to the right. Her image is almost life size, and, along with an enormous amount of circumstance that has been used, she appears very lifelike. Joan stands with her head and shoulder leaning slightly against a tree and her eyes looking upward. Her left arm is stretched out away from her organic structure and holding the end branch of a young flexible tree, while her right arm is at her side with her hand cupped against her dress. The smoothness in the contours of her bark and the ways the textures are represented on her clothing, with the folding and shadowing, are all done well. The use of the different shades of color for the skin tones, clothing, and their... ...ts position in the museum seems to have been well thought out. Unfortunately, this painting loses some of its grandeur when one gets up cheeseparing. The only real detail work that is put into this tag on that looks great up close is ironically the one element that can not be seen from a distance, which is a classify of men at the bottom bathing in the waters. While this piece can be positioned on this wall so that it receives its first attention from afar, a piece like Bastien-Lepages would not be altogether a t home in this location. When passing by Joan in her present location, at about a distance of 6 feet as the blend of the dwell so works, the feeling of being right there with her is exemplified. so as one moves away to the wall opposite the painting at a distance of about fifteen feet, the furthest distance that the room allows, the beauty of the whole painting is taken in with nothing being lost. After taking in every detail up close and then stepping back to let the painting consume the viewer on a whole, Jules Bastien-Lepages painting of Joan of Arc shows the artists mulct tuned skills in capturing the essence of realism while also conveying a deep humanistic compassion.