In Heart of Darkness, Joseph Conrad relies heavily on the differences between appearances and public to induce conflict in the story. From the appearance of the ivory spate and the untarnished of Africa, to the foresee of Kurtz himself, Conrad clearly shows us that appearances can be deceiving. As Marlow relates his story, the reader is drawn into a world of contradictions. These contradictions challenged the wide true European views of that time. Â Â Â Â Â Â Â Â When Marlow begins his quest to sail his ship up the Nile river to extend to in the adventure and excitement that is the ivory administer, he describes the initiative as a noble cause (pg 6). Marlows auntie called him an spy of light, something like a lower sort of apostle whose enjoyment was to [wean] those swinish millions from their horrid ways (pg 10). Yet through Conrads use of diction, our archetypical image of the ivory trade is an image of unfairness, death, and despair: pieces of decaying machinery (pg 12) shadows of distemper and famishment picture of a massacre or a pest (pg 14). This may have been a harsh review article of the British colonialism in Africa, and revealed the hypocrisy of those in the ivory trade who claimed to be civilizing the savages: It was as unreal as everything else-as the philanthropic pretend of the replete(p)-page concern ...
The only real feeling was a impulse to ... earn percentages (pg 21). Â Â Â Â Â Â Â Â Throughout the story, the African jungle is presented as a dark and alien landscape with the lurking death, ... the hidden evil, ... [and] the unfathomed darknes s of its heart (pg 28) of an unknown planet ! (pg 32). To Marlow, while he was in the heart of the African jungle, the earth seemed unearthly (pg 32). Yet, as he ventured deep into this... If you want to get a full essay, post it on our website:
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